<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1394882000654148698</id><updated>2012-02-08T22:47:58.488+01:00</updated><title type='text'>ICONOCLASIA : ANESTÉSICA</title><subtitle type='html'>José Luis Corazón Ardura</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>71</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6204909305311920091</id><published>2011-09-20T13:17:00.002+02:00</published><updated>2011-09-20T13:24:12.175+02:00</updated><title type='text'>CUESTIÓN DE DEMOCRACIA</title><summary type='text'>Una nueva violencia políticaSorprende que en la constitución del espectro político actual la eliminación del componente social sea un hecho que demuestre lo lejos que andamos de una verdadera creación de sujetos libres. A pesar de las marchas que caminan hacia el centro de la capital de la democracia culminen en el mismo lugar donde conviven aquellos que piden una nueva realidad. Son los mismos </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6204909305311920091/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6204909305311920091&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6204909305311920091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6204909305311920091'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/09/cuestion-de-democracia.html' title='CUESTIÓN DE DEMOCRACIA'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-0l5ibrC1Uq0/Tnh3wmcrbhI/AAAAAAAAAN4/kwwyU0EDz_U/s72-c/michael%2Blopez%2Bcotilla.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-678061066192927840</id><published>2011-06-16T14:16:00.002+02:00</published><updated>2011-06-16T14:19:35.005+02:00</updated><title type='text'>ANTONIO DE LA ROSA. GALERÍA COMPRA ORO. SER O NO SER UN OUTLET</title><summary type='text'>La galería COMPRA ORO nace en la primavera del año 2011 para ser un nuevo escenario en la ciudad de Madrid donde los artistas puedan hablar abiertamente de dinero sin complejos ni sentimientos de culpabilidad.Como primer proyecto se muestra la exposición SER O NO SER UN OUTLET. Un proyecto multidisciplinar del artista Antonio de la Rosa donde resucita una experiencia vivida hace ya más de una </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/678061066192927840/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=678061066192927840&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/678061066192927840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/678061066192927840'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/06/antonio-de-la-rosa-galeria-compra-oro.html' title='ANTONIO DE LA ROSA. GALERÍA COMPRA ORO. SER O NO SER UN OUTLET'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-65YzuN-h4B8/Tfn0oVxWaTI/AAAAAAAAANw/qJ1n_UeThVU/s72-c/IMG_3753.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7041287905190390103</id><published>2011-05-04T20:00:00.002+02:00</published><updated>2011-05-04T20:05:13.264+02:00</updated><title type='text'>PSJM: LA ISLA DE HIDRÓGENO Y LA NOVELA EN ARCHIPIÉLAGO</title><summary type='text'>Presentar un libro es tarea extraña porque cuando viene a configurar un artefacto como el que hoy nos convoca, salta de las páginas: de vuelta. En La Isla de Hidrógeno escrita por PSJM, estamos ante una novela propiamente aislada porque no ha sido configurada por un típico escritor profesional dedicado a esta literatura, sino por un equipo de artistas que han tenido el valor de dedicar su tiempo </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7041287905190390103/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7041287905190390103&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7041287905190390103'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7041287905190390103'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/05/psjm-la-isla-de-hidrogeno-y-la-novela.html' title='PSJM: LA ISLA DE HIDRÓGENO Y LA NOVELA EN ARCHIPIÉLAGO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KDubirA3ywQ/TcGVRtEfXxI/AAAAAAAAANk/LaEzGQUjXxU/s72-c/1045556175isla%2Bde%2Bhidrogeno.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6371109260723965222</id><published>2011-01-19T20:38:00.002+01:00</published><updated>2011-01-19T20:44:04.324+01:00</updated><title type='text'>Res Publicae</title><summary type='text'>Arte político, cosas públicasInvocar la res publicae a través de una exposición de videoarte no requiere más que mostrar algunos espacios donde el dominio del capital en el mercado, en el mismo centro de las ciudades actuales, está presente de una manera a veces desapercibida. El logos del arte, a pesar de su conexión con la realidad crítica que vivimos, no permanece ajeno a estas intervenciones </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6371109260723965222/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6371109260723965222&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6371109260723965222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6371109260723965222'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/01/res-publicae_19.html' title='Res Publicae'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3289746200593297915</id><published>2011-01-12T19:35:00.002+01:00</published><updated>2011-01-12T19:44:33.582+01:00</updated><title type='text'>RES PUBLICAE. Intervenciones del capitalismo en el videoarte español actual</title><summary type='text'>RES PUBLICAE. Intervenciones del capitalismo en el videoarte español actualArtistas participantes: JOSECHU DÁVILA  DEMOCRACIA  CHUS GARCÍA-FRAILE  PSJM AVELINO SALA  RUBÉN SANTIAGO  PELAYO VARELA Comisario: José Luis Corazón ArduraDuración total: 50 min. aprox.Lugares de exhibición (2010-2011): 20 diciembre, Cura Magazine Project Space (Roma), 28 enero, Off Limits (Madrid), 6-10 marzo, Centre of </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3289746200593297915/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3289746200593297915&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3289746200593297915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3289746200593297915'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/01/res-publicae-intervenciones-del.html' title='RES PUBLICAE. Intervenciones del capitalismo en el videoarte español actual'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/TS31GZHSNjI/AAAAAAAAANY/Dc1_1-7p83g/s72-c/res%2Bpublicae%2Bweb.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-4144892753245990926</id><published>2011-01-03T14:50:00.001+01:00</published><updated>2011-01-03T14:51:50.583+01:00</updated><title type='text'>IN MEMORIAM SIGFRIDO MARTÍN BEGUÉ</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/4144892753245990926/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=4144892753245990926&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4144892753245990926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4144892753245990926'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2011/01/in-memoriam-sigfrido-martin-begue.html' title='IN MEMORIAM SIGFRIDO MARTÍN BEGUÉ'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/TSHUNfgYH6I/AAAAAAAAANQ/a6Daba48D-c/s72-c/5503ac0688f4bd391296785b300853f8-1071577490-290-290-0.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3438450572283347987</id><published>2010-12-19T18:57:00.002+01:00</published><updated>2010-12-19T19:02:21.321+01:00</updated><title type='text'>ASESINATO DE MARICELA ESCOBEDO</title><summary type='text'>Imagen: Estado asesino / Libertad para los muertos, intervención en Ciudad Juárez, DemocraciaAnte la incapacidad y el desprecio del gobierno federal de México y el gobierno estatal de Chihuaha, Marisela fue asesinada por pedir justicia para su hija Rubí.Organizaciones se pronuncian por el feminicidio de Marisela Escobedo Ortiz"No me voy mover de aquí hasta que detengan al asesino de mi hija" </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3438450572283347987/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3438450572283347987&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3438450572283347987'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3438450572283347987'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/12/asesinato-de-maricela-escobedo.html' title='ASESINATO DE MARICELA ESCOBEDO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/TQ5IXAiSGWI/AAAAAAAAANE/AeVQhGCWYk0/s72-c/estadoasesino10.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-4295047300601497409</id><published>2010-12-08T15:16:00.002+01:00</published><updated>2010-12-08T15:17:45.961+01:00</updated><title type='text'>PEPE MEDINA Y LA PÉRDIDA DEL PARAÍSO</title><summary type='text'>El paraíso es una representación ideal tanto del origen como del final del desarrollo de la actividad humana. Su nombre procede –como la propia palabra imperio- de un espacio acotado que trata de preservar de un peligro y de una pérdida. Es paraíso perdido porque nunca estuvimos en él. Si en un sentido geográfico ha estado inspirado en Mesopotamia y Persia o en la idea de un juicio final o a una </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/4295047300601497409/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=4295047300601497409&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4295047300601497409'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4295047300601497409'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/12/pepe-medina-y-la-perdida-del-paraiso.html' title='PEPE MEDINA Y LA PÉRDIDA DEL PARAÍSO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/TP-TZEmcUrI/AAAAAAAAAMs/524yJiMV-lk/s72-c/_wsb_476x666_Paraisos%252BPepe%252BMedina.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3119401156683645352</id><published>2010-12-03T11:36:00.001+01:00</published><updated>2010-12-03T11:37:50.578+01:00</updated><title type='text'>World is Work</title><summary type='text'>José María DuránEn El Banquete Platón ponía en boca de Diotima las siguientes palabras: “La poesía, como sabes, es algo complejo y múltiple. Toda creación o pasaje del no-ser al ser es poesía o hacer, y los procesos de todo arte son creativos, y los maestros de las artes son todos poetas o hacedores.”  Se trata, pues, de la poesía, del significado clásico de la ‘poiesis’ griega, que tiene su </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3119401156683645352/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3119401156683645352&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3119401156683645352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3119401156683645352'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/12/world-is-work.html' title='World is Work'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/TPjIcsR91lI/AAAAAAAAAMk/X3lHWu4ftOs/s72-c/world_is_work.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8133305575519443124</id><published>2010-11-23T10:27:00.004+01:00</published><updated>2010-11-23T15:19:48.722+01:00</updated><title type='text'>FUD. Fear, Uncertainty, Doubt</title><summary type='text'>Más allá de los tópicos que suelen ir asociados a la presencia de lo juvenil en las sociedades actuales, sabemos que la juventud no es sólo cuestión de tiempo, sino de espacio. A pesar del carácter artificioso propio de la juventud, la presencia de una cierta tristeza nos conduce a considerar que el joven está cerca del jubilado. Se trata de apostar por un instante de alegría y de sabiduría a </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8133305575519443124/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8133305575519443124&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8133305575519443124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8133305575519443124'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/11/fud-fear-uncertainty-dude.html' title='FUD. Fear, Uncertainty, Doubt'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZILrIIIrCBk/TOuJT-3fIAI/AAAAAAAAAMc/nlSNtxes0mA/s72-c/llanos.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-4333285437708025584</id><published>2010-11-22T13:08:00.003+01:00</published><updated>2010-11-22T13:12:17.370+01:00</updated><title type='text'>MATCH BOX. Homenaje a Orson San Pedro</title><summary type='text'>Comisariado por: Espacio de Creación y DidácticaArtistas Artists: Orson San Pedro, Lucas F. Barrutia, Fernando Castro Flórez, Maite Centol, Apekinpaque, José Luís Corazón, Chus Cortina, Santino Escatel, Fiumfoto, Cyntia Gutiérrez, Alicia Jiménez, Elis Kaufman, Anxel Nava, Víctor Pávez, PSJM, Óscar Ranz, Benjamín Romero, Avelino Sala, Domingo Sánchez Blanco,  Alejandro Fournier, Héctor Siluchi, </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/4333285437708025584/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=4333285437708025584&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4333285437708025584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4333285437708025584'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/11/match-box-homenaje-orson-san-pedro.html' title='MATCH BOX. Homenaje a Orson San Pedro'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/TOpddaYQaUI/AAAAAAAAAMU/FhjIt_0_Oxc/s72-c/catalogo%2Bmatch%2Bbox%2BMAIL%2Bcopia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6611847079700734232</id><published>2010-11-03T21:35:00.001+01:00</published><updated>2010-11-03T21:39:06.924+01:00</updated><title type='text'>EXPERIENCIA TOTAL. La herencia de Wagner en la industria cultural globalizada.</title><summary type='text'>EXPERIENCIA TOTAL. La herencia de Wagner en la industria cultural globalizada. Por PSJM.Cuando Sonia Mauricio nos propuso el reto de mostrar plásticamente nuestra interpretación de la obra wagneriana, instantáneamente surgieron dos cuestiones simultáneas que nos separaban de antemano de tal propósito. ¿Cómo un equipo de arte contemporáneo comprometido con una visión antirromántica de la cultura y</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6611847079700734232/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6611847079700734232&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6611847079700734232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6611847079700734232'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/11/experiencia-total-la-herencia-de-wagner.html' title='EXPERIENCIA TOTAL. La herencia de Wagner en la industria cultural globalizada.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/TNHIYxvPCuI/AAAAAAAAAMM/onERqU3aj50/s72-c/megafono.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7536438659884293334</id><published>2010-10-12T13:01:00.002+02:00</published><updated>2010-10-12T13:10:22.268+02:00</updated><title type='text'>IN MEMORIAM SALOMON BURKE</title><summary type='text'>




</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7536438659884293334/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7536438659884293334&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7536438659884293334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7536438659884293334'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/10/in-memoriam-salomon-burke.html' title='IN MEMORIAM SALOMON BURKE'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3478520298276868763</id><published>2010-10-12T12:52:00.002+02:00</published><updated>2010-10-12T13:01:25.703+02:00</updated><title type='text'>IN MEMORIAM MANUEL ALEXANDRE</title><summary type='text'>




</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3478520298276868763/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3478520298276868763&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3478520298276868763'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3478520298276868763'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/10/in-memoriam-manuel-alexandre.html' title='IN MEMORIAM MANUEL ALEXANDRE'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6291840686290482032</id><published>2010-10-11T23:31:00.003+02:00</published><updated>2010-10-11T23:40:00.892+02:00</updated><title type='text'>DÍA DEL PILAR</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6291840686290482032/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6291840686290482032&amp;isPopup=true' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6291840686290482032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6291840686290482032'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/10/dia-del-pilar.html' title='DÍA DEL PILAR'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/TLOEBbdkAnI/AAAAAAAAAL8/DI515XsHxZY/s72-c/senado+cerrado.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1037938008945467710</id><published>2010-10-10T23:44:00.002+02:00</published><updated>2010-10-10T23:46:41.221+02:00</updated><title type='text'>nolens volens 4</title><summary type='text'>Presentación de NOLENS VOLENS#4:Día 8 de Octubre, 20 horas. Asociación Cultural. Mediodia Chica, C/ Mediodia Chica, 10. Madrid.A partir del día 9 de Octubre, Nolens Volens#4 estará en Manifesta 8, sedes Los Molinos, Murcia y Prisión de San Antón, Cartagena.Mediascapes. Nolens Volens 4Este cuarto número de Nolens Volens ha sido editado en colaboración con Alfredo Cramerotti, miembro del colectivo </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1037938008945467710/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1037938008945467710&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1037938008945467710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1037938008945467710'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/10/nolens-volens-4.html' title='nolens volens 4'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/TLI0LO5oyzI/AAAAAAAAALc/7byFMzZYKJo/s72-c/nolens_volens+4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7592063971688684922</id><published>2010-09-30T11:07:00.001+02:00</published><updated>2010-09-30T11:09:10.534+02:00</updated><title type='text'>La poesía es un atentado celeste</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7592063971688684922/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7592063971688684922&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7592063971688684922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7592063971688684922'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/09/la-poesia-es-un-atentado-celeste.html' title='La poesía es un atentado celeste'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZILrIIIrCBk/TKRTrU7QGBI/AAAAAAAAALM/rxodj9xEnkE/s72-c/Imagen001.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5206121718459825991</id><published>2010-09-22T14:15:00.002+02:00</published><updated>2010-09-23T13:01:18.805+02:00</updated><title type='text'>Hostal Europa. Apuntes sobre la fotografía de Luis Cárcamo</title><summary type='text'>Los espacios de la ciudad se amplían notablemente si uno persigue aquellos lugares de ocio relacionados con el descanso del cuerpo y la mente, como anuncia metafísicamente un cartel de un club en una carretera andaluza. La voluntad ascendente del comercio, a través de mercancías fetichistas como el propio cuerpo, va conduciendo los pasos del paseante hacia las afueras de la ciudad. En estos </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5206121718459825991/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5206121718459825991&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5206121718459825991'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5206121718459825991'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/09/hostal-europa-apuntes-sobre-la_22.html' title='Hostal Europa. Apuntes sobre la fotografía de Luis Cárcamo'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/TJszeCPsHZI/AAAAAAAAAK8/qUBCLaJS_pU/s72-c/Club+Bejar.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5349576509931686641</id><published>2010-09-08T17:27:00.002+02:00</published><updated>2010-09-13T11:52:26.049+02:00</updated><title type='text'>DI NO A LA NOCHE EN BLANCO</title><summary type='text'>En la contraportada del folleto que se ha editado para promocionar la Noche en Blanco 2010, podemos leer una serie de citas de artículos de prensa que alaban el evento, una de ellas dice así: "Más que citas culturales, eventos como el de la Noche en Blanco son el escaparate de una ciudad, su imagen". Es justamente ésta una de las razones por la que nos posicionamos en contra.La situación política</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5349576509931686641/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5349576509931686641&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5349576509931686641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5349576509931686641'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/09/di-no-la-noche-en-blanco.html' title='DI NO A LA NOCHE EN BLANCO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6606568608582614428</id><published>2010-07-30T13:59:00.003+02:00</published><updated>2010-07-30T14:09:22.118+02:00</updated><title type='text'>CERRADO EL AMBIGÚ</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6606568608582614428/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6606568608582614428&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6606568608582614428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6606568608582614428'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/07/cerrado-el-ambigu.html' title='CERRADO EL AMBIGÚ'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/TFK_xWuntcI/AAAAAAAAAKc/yrUMN7WaQ3I/s72-c/32411-ambigu-feria_47_no.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7076195283147166616</id><published>2010-07-22T16:34:00.003+02:00</published><updated>2010-07-22T16:47:55.402+02:00</updated><title type='text'>DI NO A LA NOCHE EN BLANCO</title><summary type='text'>APOYA CON TU FIRMAhttp://dinoalanocheenblanco.wordpress.com/declaracion/Hace ya tiempo que se puede observar el repliegue de lo social, de modo bastante significativo, en el espacio público. El espacio privado se ha convertido en el bastión de los ciudadanos que sólo participan en la construcción social a través de ritos convenientemente reglados por la lógica del consumo, en un escenario </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7076195283147166616/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7076195283147166616&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7076195283147166616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7076195283147166616'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/07/di-no-la-noche-en-blanco.html' title='DI NO A LA NOCHE EN BLANCO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/TEhXTjeCLYI/AAAAAAAAAKU/XuzRwDRaVJo/s72-c/DINOALANOCHE+EN+BLANCOgo2.wordpress.com.htm' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-2959572395492050555</id><published>2010-07-15T13:01:00.003+02:00</published><updated>2010-07-15T13:04:00.000+02:00</updated><title type='text'>SANTIAGO MORILLA. DEL DIBUJO COMO CREACIÓN DEL TERRITORIO URBANO</title><summary type='text'>SANTIAGO MORILLA. DEL DIBUJO COMO CREACIÓN DEL TERRITORIO URBANO 1. Democrazy. Como sabemos, las imágenes más impactantes después del atentado contra las Torres Gemelas, eran aquellas en las cuales los cuerpos de personas desconocidas saltaron al vacío, quedando congelados en el aire. Una de las más conocidas, realizada por el fotógrafo Richard Drew se titulaba The falling man y fue </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/2959572395492050555/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=2959572395492050555&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2959572395492050555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2959572395492050555'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/07/santiago-morilla-del-dibujo-como.html' title='SANTIAGO MORILLA. DEL DIBUJO COMO CREACIÓN DEL TERRITORIO URBANO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1952288762465092345</id><published>2010-06-25T15:59:00.003+02:00</published><updated>2010-06-25T16:01:59.931+02:00</updated><title type='text'>AVELINO SALA: PATRIA O MUERTE</title><summary type='text'>Avelino Sala presenta su último proyecto en Roma en la Real Academia de Bellas Artes de an Fernando con motivo de la exposición Transit comisariada por Teresa Macrí</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1952288762465092345/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1952288762465092345&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1952288762465092345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1952288762465092345'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/06/avelino-sala-patria-o-muerte.html' title='AVELINO SALA: PATRIA O MUERTE'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZILrIIIrCBk/TCS2Z5kKznI/AAAAAAAAAKM/lw5pX4Ixfp8/s72-c/prensa1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-2638527823001037072</id><published>2010-06-04T12:42:00.003+02:00</published><updated>2010-06-04T13:05:28.200+02:00</updated><title type='text'>Rien ne va plus: consideraciones sobre el estado crítico del croupier y un poema de matute.</title><summary type='text'>DE MATUTE, 2010Pero, amigo, paciencia, que si hoy se ha perdido, mañana se ganará.QUEVEDODel juego como tallaResulta que en el juego lo que escapa a nuestro control limita trágicamente con la presencia impertérrita de ese ser llamado croupier. Si la suerte le hace tambalearse, encomiéndese a esa fría e imperturbable apariencia de amabilidad, esa de la cual sospechamos que esconde un secreto para </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/2638527823001037072/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=2638527823001037072&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2638527823001037072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2638527823001037072'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/06/rien-ne-va-plus-consideraciones-sobre.html' title='Rien ne va plus: consideraciones sobre el estado crítico del croupier y un poema de matute.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/TAjd7TJVzoI/AAAAAAAAAKE/BFj2EhRoEhg/s72-c/MATUTE%2520Portada%5B1%5D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-282886901073842207</id><published>2010-05-27T11:13:00.001+02:00</published><updated>2010-05-27T11:16:12.094+02:00</updated><title type='text'>RUBÉN SANTIAGO. APUNTES SOBRE EL CAPITAL PARASITARIO</title><summary type='text'>Del parásito capital. La aparición de parásitos en nuestro cuerpo suele causar la pérdida del equilibrio homeostático. Es el caso de la aparición de la pediculosis, tradicionalmente ligada a la higiene y al contagio contaminante, donde nuestras cabezas han padecido e incorporado esa extraña picazón que en realidad no es más que una invasión de insectos vampíricos. Conviene recordar que la </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/282886901073842207/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=282886901073842207&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/282886901073842207'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/282886901073842207'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/05/ruben-santiago-apuntes-sobre-el-capital_27.html' title='RUBÉN SANTIAGO. APUNTES SOBRE EL CAPITAL PARASITARIO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1416032119954409597</id><published>2010-04-27T21:10:00.002+02:00</published><updated>2010-04-27T21:14:42.265+02:00</updated><title type='text'>Democracia</title><summary type='text'>DEMOCRACIA O LA VUELTA DE LAS PALABRAS AL PUEBLO.Cura Art Magazinewww.curamagazine.comEn la Antigua Roma se consideraba el juego como uno de los elementos vehiculares en los que el pueblo, además de disfrutar del panem et circenses, esto es, comida del cuerpo y comida del espíritu, también mostraba su apoyo como espectadores a las diferentes organizaciones políticas. Como señaló Huizinga en Homo </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1416032119954409597/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1416032119954409597&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1416032119954409597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1416032119954409597'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/04/democracia.html' title='Democracia'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/S9c3lw_97KI/AAAAAAAAAJs/1YRjSNBBAjI/s72-c/mg7583.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-963523612347632969</id><published>2010-04-08T11:00:00.002+02:00</published><updated>2010-04-08T11:02:52.197+02:00</updated><title type='text'>¡Se Gentrifica Tetuán! por Santiago Cirugeda y Todo por la Praxis</title><summary type='text'>www.contraindicaciones.netsegentri.jpg¡Se Gentrifica Tetuán!por Santiago Cirugeda y Todo por la PraxisTras el periodo de urbanismo extensivo desordenado y especulativo que ha venido sufriendo la ciudad de Madrid materializado en forma de PAUS, nos encontramos frente a un nuevo fenómeno de transformación de la ciudad: los procesos de gentrificación urbana. La palabra gentrificación procede del </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/963523612347632969/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=963523612347632969&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/963523612347632969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/963523612347632969'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/04/se-gentrifica-tetuan-por-santiago.html' title='¡Se Gentrifica Tetuán! por Santiago Cirugeda y Todo por la Praxis'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/S72bs3_zziI/AAAAAAAAAJk/g--zPY4d5Gc/s72-c/segentri.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-921117280161347890</id><published>2010-04-06T15:36:00.001+02:00</published><updated>2010-04-06T15:38:00.250+02:00</updated><title type='text'>Santiago Morilla en la Fondazione Pastificio Cerere de Roma</title><summary type='text'>La Fondazione Pastificio Cerere de Roma presenta la exposición Nidi (Nidos) de Santiago Morilla que se inaugurará este miércoles 24 de marzo 2010 en el patio de la fundación.La muestra se desarrollará en tres momentos diferentes (marzo, mayo y septiembre) y en tres escenarios distintos (la Fondazione Pastificio Cerere, la Academia de España en Roma y la galería de arte contemporáneo CO2), donde </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/921117280161347890/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=921117280161347890&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/921117280161347890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/921117280161347890'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/04/santiago-morilla-en-la-fondazione.html' title='Santiago Morilla en la Fondazione Pastificio Cerere de Roma'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/S7s5LY0nOVI/AAAAAAAAAJc/v9VpMoD8XwU/s72-c/posternidismall.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-306597291229027912</id><published>2010-03-23T16:16:00.003+01:00</published><updated>2010-03-23T16:20:25.504+01:00</updated><title type='text'>COMMISSION en Proyecto Circo</title><summary type='text'>Se presenta la primera Muestra de Video Creacion en La Habana Cuba, con la presencia de artistas españoles, suizos y cubanos.Commission colabora con una seleccion de artistas españoles, que considera representativos y que entienden el video arte como una herramienta mas y no como un fin en si mismo…ESPAÑAComisariado: Ada Azor. Coordinadora. Proyecto Circo. Performance &amp; Audiovisuales, Ciudad </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/306597291229027912/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=306597291229027912&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/306597291229027912'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/306597291229027912'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/03/commission-proyecto-circo.html' title='COMMISSION en Proyecto Circo'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/S6jbrPN6bpI/AAAAAAAAAJU/I-D1B8dPhQQ/s72-c/go2.wordpress.com.htm' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6023680480148999223</id><published>2010-02-22T19:31:00.002+01:00</published><updated>2010-02-22T19:32:47.874+01:00</updated><title type='text'>Campo Adaptive Actions Madrid</title><summary type='text'>Campo AA-MadridCampo AA-MadridUn espacio de producción, presentación y acciónwww.adaptiveactions.netAAEl laboratorio de Adaptive Actions (AA), iniciado en Londres en 2007, presta voz a causas marginales, estilos urbanos de vida alternativos, contra-conductuales y a la creación artística de la ciudadanía por la cual la imaginación y la creatividad personal influyen en la vida diaria. AA realiza un</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6023680480148999223/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6023680480148999223&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6023680480148999223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6023680480148999223'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/02/campo-adaptive-actions-madrid.html' title='Campo Adaptive Actions Madrid'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7396894176560133254</id><published>2010-02-19T15:07:00.003+01:00</published><updated>2010-02-19T15:11:03.500+01:00</updated><title type='text'>SUBLIME SOBRE LA DEFENSA</title><summary type='text'>DESCARGA:http://s317267962.mialojamiento.es//uploads/pdf/SUBLIME%2024%20sobre_la_defensa.pdf</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7396894176560133254/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7396894176560133254&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7396894176560133254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7396894176560133254'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/02/sublime-sobre-la-defensa.html' title='SUBLIME SOBRE LA DEFENSA'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/S36bkSylDdI/AAAAAAAAAJM/B5i6YtJZMsw/s72-c/Sublime+24.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8796697353911996214</id><published>2010-02-04T03:20:00.004+01:00</published><updated>2010-02-04T03:39:46.453+01:00</updated><title type='text'>ALEGORÍAS DE LA MIGRACIÓN</title><summary type='text'>Santino Escatel, Organización popularMañana 5 de febrero se inaugura en el Instituto Cabañas de Guadalajara (México) la exposición de arte contemporáneo Alegorías de la migración. En ella participan Maite Centol, Pelayo Varela, Santino Escatel, Jorge Méndez Blake, Avelino Sala, Cynthia Gutiérrez y Orson San Pedro.</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8796697353911996214/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8796697353911996214&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8796697353911996214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8796697353911996214'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/02/alegorias-de-la-migracion.html' title='ALEGORÍAS DE LA MIGRACIÓN'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZILrIIIrCBk/S2oy3Q0i5II/AAAAAAAAAJE/-ZxVBzLlvR4/s72-c/santino+sillas+s.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-4340599116568804165</id><published>2010-01-29T10:45:00.000+01:00</published><updated>2010-01-29T10:46:44.670+01:00</updated><title type='text'>IN MEMORIAM SALINGER</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/4340599116568804165/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=4340599116568804165&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4340599116568804165'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4340599116568804165'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/in-memoriam-salinger.html' title='IN MEMORIAM SALINGER'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5703563495394344748</id><published>2010-01-28T21:09:00.002+01:00</published><updated>2010-01-28T21:23:53.303+01:00</updated><title type='text'>Sobre la crítica de arte</title><summary type='text'>




</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5703563495394344748/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5703563495394344748&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5703563495394344748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5703563495394344748'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/sobre-la-critica-de-arte.html' title='Sobre la crítica de arte'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-368452996289739576</id><published>2010-01-25T14:51:00.003+01:00</published><updated>2010-01-25T15:08:21.508+01:00</updated><title type='text'>ISIDORO VALCÁRCEL MEDINA</title><summary type='text'>ISIDORO VALCÁRCEL MEDINA, OTOÑO DE 2009www.curamagazine.comnº 03Se cuenta que en 1709 se organizó la última exposición en el claustro de la iglesia de la Santissima Annunziatta de Florencia. Se realizó una selección de 250 cuadros de la imponente colección del Príncipe de Toscana que debido a causas espaciales derivadas del tamaño del recinto y por causas temporales, sólo pudo contemplarse </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/368452996289739576/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=368452996289739576&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/368452996289739576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/368452996289739576'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/isidoro-valcarcel-medina.html' title='ISIDORO VALCÁRCEL MEDINA'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6713192201437854006</id><published>2010-01-14T00:20:00.001+01:00</published><updated>2010-01-14T00:33:19.308+01:00</updated><title type='text'>IN MEMORIAM Orson San Pedro</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6713192201437854006/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6713192201437854006&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6713192201437854006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6713192201437854006'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/orson-san-pedro-ha-muerto.html' title='IN MEMORIAM Orson San Pedro'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-938984093003481058</id><published>2010-01-12T10:52:00.002+01:00</published><updated>2010-01-12T11:00:15.297+01:00</updated><title type='text'>IN MEMORIAM Eric Rohmer</title><summary type='text'>El cine y y la muerte tras los pasos de Gradiva.</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/938984093003481058/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=938984093003481058&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/938984093003481058'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/938984093003481058'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/in-memoriam-eric-rohmer.html' title='IN MEMORIAM Eric Rohmer'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZILrIIIrCBk/S0xIGL4ZZhI/AAAAAAAAAI8/LLL8Q9KUUJw/s72-c/eric+rohmer+en+la+playa.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3006554404722880581</id><published>2010-01-11T16:53:00.002+01:00</published><updated>2010-01-11T16:55:12.322+01:00</updated><title type='text'>Neutralizados PSJM</title><summary type='text'>PSJMNeutralizados¿Conserva el arte crítico su efectividad una vez se halla dentro del museo? ¿Neutraliza el sistema toda propuesta política al transformarla en mercancía? A estas y otras cuestiones calientes del arte actual responden los cuatro ensayos que componen Neutralizados. El arte como propaganda (del sistema y contra el sistema), la cultura de masas, las nuevas tecnologías de producción, </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3006554404722880581/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3006554404722880581&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3006554404722880581'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3006554404722880581'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2010/01/neutralizados-psjm.html' title='Neutralizados PSJM'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/S0tJ2fg8BFI/AAAAAAAAAI0/VzKW90Jlgz8/s72-c/neutt.aspx' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-2767681946952455096</id><published>2009-12-30T18:48:00.002+01:00</published><updated>2009-12-30T19:22:19.566+01:00</updated><title type='text'>IN MEMORIAM</title><summary type='text'>




</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/2767681946952455096/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=2767681946952455096&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2767681946952455096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2767681946952455096'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/12/in-memoriam.html' title='IN MEMORIAM'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6619395856470843052</id><published>2009-12-09T17:59:00.001+01:00</published><updated>2009-12-09T18:01:21.922+01:00</updated><title type='text'>OTOÑO DE 2009</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6619395856470843052/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6619395856470843052&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6619395856470843052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6619395856470843052'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/12/otono-de-2009.html' title='OTOÑO DE 2009'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/Sx_X1pFx0UI/AAAAAAAAAIs/132lWiuVTBQ/s72-c/valcarcel+el+paseante.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5972488562804145350</id><published>2009-11-21T00:32:00.004+01:00</published><updated>2009-11-21T00:32:47.599+01:00</updated><title type='text'>N 20</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5972488562804145350/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5972488562804145350&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5972488562804145350'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5972488562804145350'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/11/n-20.html' title='N 20'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/SwcnEZTvsQI/AAAAAAAAAIc/wihf18AQ3YQ/s72-c/CAUDILLO+1985costus.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1022038362178375840</id><published>2009-11-20T23:47:00.003+01:00</published><updated>2009-11-20T23:53:39.339+01:00</updated><title type='text'>JOSECHU DÁVILA, Proyecto para difundir el mensaje de una mujer anónima en Hong Kong</title><summary type='text'>www.anonymouswoman.eshttp://www.rock-palace.com/josechudavila/josechudavila/anonymouswoman/anontodo.html¡EL SER HUMANO ESTÀ EN DECADENCIA!Human is in decadence!人性墮落！¡TODOS CADUCAMOS AL LLEGAR A ESTE PLANETA!Human is moving towards expiration since birth!人出生就走向滅亡！¡EL PROPIO SER HUMANO ES SU PEOR ENEMIGO!The biggest enemy of human being is human being themselves!人最大嘅敵人就係自己！¡TODOS TENEMOS NECESIDAD </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1022038362178375840/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1022038362178375840&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1022038362178375840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1022038362178375840'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/11/josechu-davila-proyecto-para-difundir.html' title='JOSECHU DÁVILA, Proyecto para difundir el mensaje de una mujer anónima en Hong Kong'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6408245235721691228</id><published>2009-11-07T18:36:00.003+01:00</published><updated>2009-11-07T18:39:23.408+01:00</updated><title type='text'>Ne vous laissez pas consoler / No os dejéis consolar</title><summary type='text'>Los ídolos no existenNo idolsNe vous laissez pas consoler (No os dejéis consolar) es un proyecto de Democracia realizado en colaboración con los Ultramarines, los ultras del equipo de fútbol Girondins de Burdeos.No os dejéis consolarDo not allow yourselves to be consoledEl proyecto consistió en la inserción de sentencias de carácter político fuera de contexto, en un espectáculo deportivo (en este</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6408245235721691228/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6408245235721691228&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6408245235721691228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6408245235721691228'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/11/ne-vous-laissez-pas-consoler-no-os.html' title='Ne vous laissez pas consoler / No os dejéis consolar'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/SvWwwZkR5MI/AAAAAAAAAIM/N5ah06q1n6U/s72-c/mg7249.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8363538653013975689</id><published>2009-11-06T15:56:00.005+01:00</published><updated>2009-11-06T16:01:36.134+01:00</updated><title type='text'>CAPITALISMO 1712-2010</title><summary type='text'>CAPITALISMO D.E.P. por PSJMSe trata de un anuncio, un está por venir, un teaser en el argot publicitario. El capitalismo está comenzando a comerse a si mismo por falta de alteridad1. El crash de 2008 da buena fe de los achaques de un sistema anciano regido por el flujo de valores inmateriales, cuya puesta en circulación supone por si misma la producción de valor. Una economía que ha perdido sus </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8363538653013975689/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8363538653013975689&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8363538653013975689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8363538653013975689'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/11/capitalismo-1712-2010.html' title='CAPITALISMO 1712-2010'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/SvQ6G-tn2CI/AAAAAAAAAH0/8wDxLnq5kG0/s72-c/PSJM-marquesina-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8258891334931231160</id><published>2009-10-26T16:36:00.000+01:00</published><updated>2009-10-26T16:37:09.882+01:00</updated><title type='text'></title><summary type='text'>NO Global Tour. Santiago Sierra en Berlín.  PSJM review. from PSJM on Vimeo.</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8258891334931231160/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8258891334931231160&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8258891334931231160'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8258891334931231160'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/no-global-tour.html' title=''/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8154234616330927817</id><published>2009-10-26T16:17:00.003+01:00</published><updated>2009-10-26T16:25:02.149+01:00</updated><title type='text'>NON OLET / MONEY DOES NOT SMELL. Notas sobre la negación en el trabajo de Santiago Sierra.</title><summary type='text'>&lt;!--[if !mso]&gt;  v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);}  &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;           &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     Normal   0         21         false   false   false      ES   X-NONE   X-NONE</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8154234616330927817/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8154234616330927817&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8154234616330927817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8154234616330927817'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/non-olet-money-does-not-smell-notas.html' title='NON OLET / MONEY DOES NOT SMELL. Notas sobre la negación en el trabajo de Santiago Sierra.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZILrIIIrCBk/SuW-fjfMelI/AAAAAAAAAHM/6dWDlSuFhNM/s72-c/IMG_6199.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1050599248324107811</id><published>2009-10-22T14:43:00.003+02:00</published><updated>2009-10-22T14:47:30.869+02:00</updated><title type='text'>MUSEO MAUSOLEO CONVERSACIÓN, JAVIER UTRAY – DOMINGO SÁNCHEZ BLANCO, 2005</title><summary type='text'>                 www.contuberniocanibal.blogspot.comJavier Utray.- Supongo que a todos los poetas les interesaba mucho el punto de vista de cómo se podían translucir, en la mente de otro lejano, ideas fuertemente poéticas.En el concepto de médium, no el médium victoriano, es donde quizá le interesa más el tema a Duchamp porque a Duchamp no le interesaba, en absoluto, llegar en la primera </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1050599248324107811/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1050599248324107811&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1050599248324107811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1050599248324107811'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/museo-mausoleo-conversacion-javier_8168.html' title='MUSEO MAUSOLEO CONVERSACIÓN, JAVIER UTRAY – DOMINGO SÁNCHEZ BLANCO, 2005'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Zmlv8ov2geI/StlwT2f549I/AAAAAAAAAGc/QJC6AIRAXng/s72-c/Fotograma+grabado+5.bmp' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1604679114069339102</id><published>2009-10-20T23:14:00.003+02:00</published><updated>2009-10-21T11:02:36.880+02:00</updated><title type='text'>PSJM: American Colors en Abstract Realities. Lucas Carrieri Gallery Berlín</title><summary type='text'>                                       El pasado jueves 15 se inuguró en la Lucas Carrieri Gallery de Berlín la exposición "Abstract Realities", comisariada por Clara Muñoz y organizada por el Gabinete Literario de Las Palmas, donde presentamos nuestro último trabajo, compartiendo sala con Kirsten Mosel y José Rosario Godoy.  "American Colors" es un proyecto que gira en torno a la abstracción </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1604679114069339102/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1604679114069339102&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1604679114069339102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1604679114069339102'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/psjm-american-colors-en-abstract.html' title='PSJM: American Colors en Abstract Realities. Lucas Carrieri Gallery Berlín'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/St7NxMIA88I/AAAAAAAAAHE/4TRgS6MIj90/s72-c/AMERICAN-COLORS-PSJM-4.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6326500211666053609</id><published>2009-10-09T11:33:00.000+02:00</published><updated>2009-10-09T11:34:53.643+02:00</updated><title type='text'>SCRITTI POLITTI. Jacques Derrida</title><summary type='text'>I'm in love with the bossonovaHe's the one with the cashanovaI'm in love with his heart of steelI'm in loveI'm in love with the bossonovaHe's the one with the cashanovaI'm in love with his heart of steelI'm in loveHow come no-one ever told meWho I'm working forDown among the rich men babyAnd the poorHere comes love foreverAnd it's here comes love for no-oneOh here comes love for MarilynAnd it's </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6326500211666053609/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6326500211666053609&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6326500211666053609'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6326500211666053609'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/scritti-politti-jacques-derrida.html' title='SCRITTI POLITTI. Jacques Derrida'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1993608602064562591</id><published>2009-10-01T14:54:00.001+02:00</published><updated>2009-10-01T14:56:26.451+02:00</updated><title type='text'>En Cadena, un proyecto de Rubén Santiago.</title><summary type='text'>               www.contraindicaciones.net                                                 Rubén Santiago presenta En Cadena, un proyecto realizado a lo largo de los 3.900 kilómetros que separan la ciudad griega de Olympia y Madrid. Justo un día antes de que el COI se pronuncie sobre qué ciudad será sede de las Olimpiadas de 2016 y entre las que se encuentra la candidatura de Madrid, que 400.000 </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1993608602064562591/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1993608602064562591&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1993608602064562591'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1993608602064562591'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/10/en-cadena-un-proyecto-de-ruben-santiago.html' title='En Cadena, un proyecto de Rubén Santiago.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3895146344822150725</id><published>2009-09-26T20:04:00.005+02:00</published><updated>2009-09-30T13:50:47.078+02:00</updated><title type='text'>CREDO QUIA ABSURDUM  13 NOTAS SOBRE LA CREENCIA EN EL SISTEMA</title><summary type='text'>Nolens Volens, nº 3&lt;!--[if gte mso 9]&gt;     Normal   0         21         false   false   false      ES   X-NONE   X-NONE                                                     MicrosoftInternetExplorer4                                                   &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3895146344822150725/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3895146344822150725&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3895146344822150725'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3895146344822150725'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/09/credo-quia-absurdum-13-notas-sobre-la.html' title='CREDO QUIA ABSURDUM  13 NOTAS SOBRE LA CREENCIA EN EL SISTEMA'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/Sr5X4rlCqoI/AAAAAAAAAFg/GJbV8W3c3fI/s72-c/iglesia+catedral+de+las+fuerzas+armadas+de+espa%C3%B1a.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5068931573599432288</id><published>2009-09-03T03:05:00.002+02:00</published><updated>2009-09-03T03:11:11.918+02:00</updated><title type='text'></title><summary type='text'>         Booked the movie.Karmelo Bermejo                                                                        Booked The Movie. Todas las entradas de la sesión de las 22:00 horas del sábado, para la película número uno en el ranking de taquilla, fueron compradas con dinero público para que no fuese vista por nadie.   TORRE DE ARIZ - c/ Frantzisko Kortabarria, s/n - BASAURI - BIZKAIADel 4 al 29</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5068931573599432288/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5068931573599432288&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5068931573599432288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5068931573599432288'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/09/booked-movie_3405.html' title=''/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3256862203959235081</id><published>2009-07-08T15:55:00.005+02:00</published><updated>2009-07-10T17:08:55.581+02:00</updated><title type='text'>DEMOCRACIA, Subtextos</title><summary type='text'>                                                                    Libertad ¿para qué?www.contraindicaciones.netSubtextosIntervención de arte público en Cartagena, Murcia. Del 1 de julio al 31 de julio.Dentro de las artes dramáticas el subtexto es lo que hay debajo del texto, o sea, las emociones, sentimientos, ideas o concepciones vitales que laten bajo las líneas de cada diálogo, lo que cada </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3256862203959235081/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3256862203959235081&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3256862203959235081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3256862203959235081'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/07/democracia.html' title='DEMOCRACIA, Subtextos'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZILrIIIrCBk/SlSljSClIbI/AAAAAAAAAE0/RpVvqORJSiU/s72-c/_MG_5605.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-4248499695998191424</id><published>2009-04-12T13:48:00.001+02:00</published><updated>2009-04-12T13:52:11.889+02:00</updated><title type='text'>LA COMUNIDAD DESOBRADA</title><summary type='text'>&lt;!--[if gte mso 9]&gt;     Normal   0   21         false   false   false                             MicrosoftInternetExplorer4   &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;     &lt;![endif]--&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:Latha; 	panose-1:2 0 4 0 0 0 0 0 0 0; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:1048579 0 0 0 1 0;} @</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/4248499695998191424/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=4248499695998191424&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4248499695998191424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/4248499695998191424'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2009/04/la-comunidad-desobrada.html' title='LA COMUNIDAD DESOBRADA'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/SeHVWzs8nCI/AAAAAAAAADw/ZpVoXkB-3qg/s72-c/La+comunidad+desobrada.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-906362193527758324</id><published>2008-12-23T16:22:00.000+01:00</published><updated>2008-12-23T16:24:39.627+01:00</updated><title type='text'>Para quedarse de piedra. De la muerte y la (es)cultura órfica.</title><summary type='text'> Robert SmithsonCon la escultura ocurre como le pasaba a Guy de Maupassant con la Torre Eiffel, lugar vilipendiado en sus escritos en cuanto se le presentaba la ocasión. Todos los días acudía al restaurante allí emplazado. Un día un camarero le preguntó que porqué iba si realmente le resultaba horrorosa, a lo que respondió: -Porque desde aquí no la veo. La escultura veremos que es un arte </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/906362193527758324/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=906362193527758324&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/906362193527758324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/906362193527758324'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/12/para-quedarse-de-piedra-de-la-muerte-y.html' title='Para quedarse de piedra. De la muerte y la (es)cultura órfica.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZILrIIIrCBk/SVECXEXT61I/AAAAAAAAADo/h9qXFmLaCKI/s72-c/C.smithson_robert_fi.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-1851922424221644559</id><published>2008-07-04T13:06:00.003+02:00</published><updated>2008-07-04T13:16:32.854+02:00</updated><title type='text'>Orson San Pedro and the community of others</title><summary type='text'>En español: http://www.sublimeart.net/?p=80The artistic communityIn his study about the relationship between the Christian and the anarchist, Nietzsche emphasizes how both share a paradoxical situation: their instinct tends toward destruction . This search for common ground between the believer and the atheist coincides with an attraction to nihilism that comes to serve as verification of one </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/1851922424221644559/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=1851922424221644559&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1851922424221644559'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/1851922424221644559'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/07/orson-san-pedro-and-community-of-others.html' title='Orson San Pedro and the community of others'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_ZILrIIIrCBk/SG4E617caZI/AAAAAAAAACo/Lkcs8233TfA/s72-c/autorretrato_+Orson+San+Pedro.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6853040339237603865</id><published>2008-06-28T16:47:00.001+02:00</published><updated>2008-06-28T16:50:24.459+02:00</updated><title type='text'>Sobre la distinción y el estilo. Apuntes sobre el dandismo de PSJM.</title><summary type='text'>El dinero es una categoría del pensamientoSPENGLERComo nos encontramos en el terreno de las cuestiones materiales, bástele saber que bueno o malo, todo se vende; es cuestión de constancia.BAUDELAIREEn El decorado del hogar, una de las primeras conferencias que Óscar Wilde pronunció en Estados Unidos, se afirmaba que lo que caracterizaba al arte era su condición de escenario y cómo habíamos de </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6853040339237603865/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6853040339237603865&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6853040339237603865'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6853040339237603865'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/06/sobre-la-distincin-y-el-estilo-apuntes.html' title='Sobre la distinción y el estilo. Apuntes sobre el dandismo de PSJM.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-242695912236763326</id><published>2008-06-28T16:37:00.002+02:00</published><updated>2008-06-28T16:46:19.508+02:00</updated><title type='text'></title><summary type='text'>1. Memoria y amnesia del mundo.Convenir en que la memoria suele entenderse como un lugar donde algo se deposita, afirmando la vinculación de lo monumental, lo sepulcral y el olvido. Quiere decir que corresponde tanto a lo que se contiene como a lo que da forma a lo contenido. Por ejemplo, un teatro, un jardín o una biblioteca. También un espacio como éste donde hemos iniciado el paso del umbral a</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/242695912236763326/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=242695912236763326&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/242695912236763326'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/242695912236763326'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/06/1.html' title=''/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_ZILrIIIrCBk/SGZOsc23CaI/AAAAAAAAACg/zncv1jE7S4Y/s72-c/the+end+eagle' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-6419975559969560340</id><published>2008-03-26T02:01:00.002+01:00</published><updated>2008-03-26T02:04:08.899+01:00</updated><title type='text'>PSJM</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/6419975559969560340/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=6419975559969560340&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6419975559969560340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/6419975559969560340'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/03/psjm.html' title='PSJM'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_ZILrIIIrCBk/R-mg6ECXYrI/AAAAAAAAACQ/yHWsgFGTxvU/s72-c/psjm+marx.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-2928983853206947697</id><published>2008-03-13T16:40:00.001+01:00</published><updated>2008-03-13T16:45:07.513+01:00</updated><title type='text'>UNDERGENTRYFICACTION</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/2928983853206947697/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=2928983853206947697&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2928983853206947697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2928983853206947697'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/03/undergentryficaction.html' title='UNDERGENTRYFICACTION'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_ZILrIIIrCBk/R9lL6qyoG0I/AAAAAAAAAB4/pS1jZbYAHyE/s72-c/UNDERGENTRYFICACTIONaf.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5594559177066325880</id><published>2008-02-15T17:16:00.001+01:00</published><updated>2008-02-15T17:18:07.259+01:00</updated><title type='text'>Bandera negra de la República española. Madrid Abierto. 12 febrero 2008</title><summary type='text'>Comencemos por una cita que apremia: “El arte tiene que dirigirse contra lo que conforma su propio concepto, con lo cual se vuelve incierto hasta la médula”. Esta incertidumbre que destaca Adorno, esa perplejidad, nos trae a este espacio para hablar de una muerte hipotética de la república española. Y se trata de hablar de república en un Museo cuyo nombre es Reina Sofía. Esta contradicción es la</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5594559177066325880/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5594559177066325880&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5594559177066325880'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5594559177066325880'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/02/bandera-negra-de-la-repblica-espaola.html' title='Bandera negra de la República española. Madrid Abierto. 12 febrero 2008'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_ZILrIIIrCBk/R7W7GIXRb3I/AAAAAAAAABw/dgJ0qztdhGo/s72-c/2008-santiago-sierra-1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-8484047513451800730</id><published>2008-02-06T12:08:00.000+01:00</published><updated>2008-02-09T13:14:02.993+01:00</updated><title type='text'>Paul Graham: “Se trata de fotografiar lo que sucede”.</title><summary type='text'>José Luis Corazón ArduraEl fotógrafo inglés Paul Graham (1956) expone en La Fábrica A Shimmer of Possibility, una serie de imágenes donde se acerca a la sociedad norteamericana y a sus contradicciones. Cuestiones que se dirigen a comprender el dualismo entre la realidad y la posibilidad del lugar de la fotografía, a través de la observación de lo cotidiano.Un fulgor de posibilidad, ¿por qué el </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/8484047513451800730/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=8484047513451800730&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8484047513451800730'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/8484047513451800730'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/02/paul-graham-se-trata-de-fotografiar-lo.html' title='Paul Graham: “Se trata de fotografiar lo que sucede”.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-37924815918230463</id><published>2008-01-27T20:28:00.000+01:00</published><updated>2008-01-27T20:36:25.132+01:00</updated><title type='text'>El almuerzo desnudo: unos apuntes sobre la adicción del intelectual ante el cine y su literatura</title><summary type='text'>No, amigos míos, no leáis a Brillat–SavarinCHARLES BAUDELAIRECamellos del mundo entero,Hay una lacra a la que no podéis vencer:La marca interior…WILLIAM BURROUGHSEs cierto que el cine es el arte del siglo XX y que sus orígenes han sido situados en la antigua Babilonia, el Egipto faraónico o en la caverna platónica. Lo que sorprende es que su carácter adictivo, en el sentido de situarnos en una </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/37924815918230463/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=37924815918230463&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/37924815918230463'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/37924815918230463'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/el-almuerzo-desnudo-unos-apuntes-sobre.html' title='El almuerzo desnudo: unos apuntes sobre la adicción del intelectual ante el cine y su literatura'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5212317848609045485</id><published>2008-01-24T13:28:00.000+01:00</published><updated>2008-01-24T13:33:19.092+01:00</updated><title type='text'>DEMOCRACIA: NIHILISMO ACTIVO</title><summary type='text'>DEMOCRACIA: NIHILISMO ACTIVOJosé Luis Corazón Ardura¿Cómo ha sido el paso de El Perro a Democracia?Pablo España: Con El Perro se hicieron muy buenas piezas. Pero no se trataba únicamente de hacer piezas de arte, era sobre todo una filosofía, una ideología, una manera de trabajar. En ese sentido, El Perro fue un fracaso. Lo que se intenta con Democracia es, en lugar de dejar de lado ese proyecto </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5212317848609045485/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5212317848609045485&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5212317848609045485'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5212317848609045485'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/democracia-nihilismo-activo.html' title='DEMOCRACIA: NIHILISMO ACTIVO'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_ZILrIIIrCBk/R5iFchOnZzI/AAAAAAAAABo/zRerX36Cofo/s72-c/Smashing_the_guetto_15_new_cielo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-610678202164651504</id><published>2008-01-17T16:43:00.000+01:00</published><updated>2009-05-24T22:17:59.862+02:00</updated><title type='text'></title><summary type='text'>Rogelio López Cuenca: la vuelta del otro.José Luis Corazón ArduraEl artista malagueño presenta en la galería de arte contemporáneo Juana de Aizpuru Le partage, una reflexión donde coexisten las referencias habituales de su trayectoria, partiendo de la vinculación del uso de la imagen en los medios de comunicación con la reflexión artística y política acerca del poder en el seno de la sociedad </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/610678202164651504/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=610678202164651504&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/610678202164651504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/610678202164651504'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/rogelio-lopez-cuenca-la-vuelta-del-otro.html' title=''/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-3298314956807329852</id><published>2008-01-12T02:54:00.000+01:00</published><updated>2008-01-12T02:56:41.293+01:00</updated><title type='text'>1975. España.Estética. II</title><summary type='text'>José Luis Corazón ArduraComo avisa Calvo Serraller la transición política a la democracia debía verse trasladada a la revisión del arte vanguardista español, creando “en el interior del país fuertes expectativas polémicas, que se avivaron, además, en el seno de la izquierda, al estarse produciendo en aquellos precisos momentos una política de pactos y plataformas concluyentes dentro del espíritu </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/3298314956807329852/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=3298314956807329852&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3298314956807329852'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/3298314956807329852'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/1975-espaaesttica-ii.html' title='1975. España.Estética. II'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-2257939512411076712</id><published>2008-01-12T02:52:00.000+01:00</published><updated>2008-01-12T02:54:44.333+01:00</updated><title type='text'>1975. España.Estética</title><summary type='text'>José Luis Corazón ArduraDespués de treinta años de democracia en España conviene dirigirse hacia lo que se puede denominar como generación del desencanto para entender que, de alguna manera, la influencia que ha tenido la estética sobre la sociedad de nuestro tiempo no deja de ser una tarea utópica y, precisamente, buscar su espacio en ella es una tarea siempre por hacer. Si atendemos a lo que ha</summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/2257939512411076712/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=2257939512411076712&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2257939512411076712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/2257939512411076712'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/1975-espaaesttica.html' title='1975. España.Estética'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-7120362154436309867</id><published>2008-01-10T01:26:00.000+01:00</published><updated>2008-01-10T01:28:07.252+01:00</updated><title type='text'>PSJM: el lujo de la iconoclastia al alcance de todos</title><summary type='text'>José Luis Corazón ArduraEs imposible criticar a la industria cultural y enmudecer ante el arte.ADORNOEstoy hablando de las cosas meramente inútiles; pero hay otros objetos que no solo son totalmente inútiles, sino que son activamente destructivos y venenosos y obtienen buen precio en el mercado; por ejemplo, la comida y bebida adulteradas. Es ingente el número de esclavos que el comercio </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/7120362154436309867/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=7120362154436309867&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7120362154436309867'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/7120362154436309867'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/psjm-el-lujo-de-la-iconoclastia-al.html' title='PSJM: el lujo de la iconoclastia al alcance de todos'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-981113111824780484</id><published>2008-01-10T01:14:00.000+01:00</published><updated>2008-01-10T01:25:58.745+01:00</updated><title type='text'>Como si no pasara nada. Nihilistas en acción.</title><summary type='text'>José Luis Corazón ArduraMuerte es todo lo que despiertos vemos: todo lo que durmiendo, sopor.HERÁCLITOLa Nada no tiene ningún centro y sus límites son la Nada.LEONARDO DA VINCIQuien menos conoce la época es quien no ha experimentado en sí el increíble poder de la Nada y no sucumbió a la tentación.JÜNGEREl arte como crítica inversaEl nihilismo es la busca que, partiendo de la destrucción </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/981113111824780484/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=981113111824780484&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/981113111824780484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/981113111824780484'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/como-si-no-pasara-nada-nihilistas-en.html' title='Como si no pasara nada. Nihilistas en acción.'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5196601942558844460</id><published>2008-01-10T01:07:00.000+01:00</published><updated>2008-01-10T01:13:52.860+01:00</updated><title type='text'>Teresa Margolles: buscando la periferia del cuerpo</title><summary type='text'> José Luis Corazón Ardura La artista Teresa Margolles (Culiacán, 1966) presenta 21 esta semana en la Galería Salvador Díaz de Madrid. Se trata de una reflexión sobre la violencia en la sociedad mexicana actual, vinculando la representación de la muerte a las acciones delictivas llevadas a cabo por el narcotráfico y por ciertos grupos de sicarios como los Zetas. Una exposición que continúa su </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5196601942558844460/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5196601942558844460&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5196601942558844460'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5196601942558844460'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/teresa-margolles-buscando-la-periferia.html' title='Teresa Margolles: buscando la periferia del cuerpo'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1394882000654148698.post-5910407876579876444</id><published>2008-01-10T01:03:00.000+01:00</published><updated>2008-01-10T01:06:45.023+01:00</updated><title type='text'>La noche de la españolada</title><summary type='text'> Parece que hubo días en los cuales España siempre estaba de fiesta y lo cierto es que en esa convivencia del crimen y la pasión, de la borrachera nocturna y la poesía danzada, se encubría una oscuridad que fascinó a artistas provenientes de ese lugar aún llamado el “extranjero”. Con este motivo, el Museo Nacional Reina Sofía exhibe hasta el próximo 24 de marzo La noche española. Flamenco, </summary><link rel='replies' type='application/atom+xml' href='http://iconoclasiaanestesica.blogspot.com/feeds/5910407876579876444/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1394882000654148698&amp;postID=5910407876579876444&amp;isPopup=true' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5910407876579876444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1394882000654148698/posts/default/5910407876579876444'/><link rel='alternate' type='text/html' href='http://iconoclasiaanestesica.blogspot.com/2008/01/la-noche-de-la-espaolada.html' title='La noche de la españolada'/><author><name>José Luis Corazón Ardura</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='21' height='32' src='http://2.bp.blogspot.com/_ZILrIIIrCBk/Sr5vfoBnBJI/AAAAAAAAAGE/1Gof1j5C08g/S220/IMG_1860.JPG'/></author><thr:total>0</thr:total></entry></feed>
